谷雨經(jīng)典古詩精選(九篇)

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第1篇：谷雨經(jīng)典古詩范文

在成熟的道路上有許許多多的路人。你也別覺得失落。

酒是紅星二鍋頭，關(guān)于單雙號限行交通式的愛情，就問你有沒有空。

我寧缺毋濫不是我高尚。我只是在等她的出現(xiàn)來打破我的生活。

（來源：文章屋網(wǎng) ）

第2篇：谷雨經(jīng)典古詩范文

一.觸景生情與緣情寫景

1、觸景生情

“觸景生情”又稱“由景及情”，是先有景后有情。人物一開始心情比較平靜，由于受到外界景物的刺激，激起感情，所以稱為“觸景生情”。杜甫的《登高》一詩就是典型的觸景生情之作：

風急天高猿嘯哀，

渚清沙白鳥飛回。

無邊落木蕭蕭下，

不盡長江滾滾來。

萬里悲秋常作客，

百年多病獨登臺。

艱難苦恨繁雙鬢，

潦倒新停濁酒杯。

詩人登上高處，映入眼簾的是一派蒼涼恢廓的秋景，這種蒼涼的景色觸動了他長年飄泊、老病孤愁的感情，于是艱難潦倒之苦、國難家愁俱涌心頭。

2、緣情寫景

“緣情寫景”是情在景先，先有情后有景。景的設置總是以情為轉(zhuǎn)移的，所謂“情哀則景哀，情樂則景樂”。如李白《哭晁卿衡》：“日本晁衡辭，征帆一片繞蓬壺。明月不歸沉碧海，白云愁色滿蒼梧?！迸笥殃撕獾牟恍以庥?，使詩人悲痛萬分，在這種感情的支配下看景物，一切景物都染上了他的主觀感彩，仿佛也在沉痛地哀悼晁衡的仙去。

二.移情于景與寓情于景

1、移情于景

移情于景即用擬人的手法，賦予景物以人的感情，從而使作者所要表達的感情更濃烈。如李白的《勞勞亭》一詩：“天下傷心處，勞勞送客亭。春風知別苦，不遣柳條青。”在這首詩中，作者把本來無知無情的春風寫得有意有情，使之與相別之人同具惜別、傷別之心，從而化物為我，使它成了詩人的感情化身。

2、寓情于景

“寓情于景”又稱“融情入景”，況周頤在《蕙風詞話》中說：“蓋寫景與言情，非二事也。善言情者，但寫景而情在其中?！比鐒⒂礤a的《石頭城》：“山圍故國周遭在，潮打空城寂寞回?；此畺|邊舊時月，夜深還過女墻來。”這首詩句句寫景，然而無一景不融合著詩人故國蕭條、人生凄涼的深沉感傷，是典型的借景抒情之作。

三.以景襯情

“言情之詞，必借景色映襯，乃具深婉流美之致。”我國古代詩人深諳此道，在古典詩詞中，渲染景物以襯托所抒之情的例子很多。以景襯情可分為正襯和反襯兩種。

1、正襯

以哀景寫哀情

荊軻的《易水歌》：“風蕭蕭兮易水寒，壯士一去兮不復還?！痹娋湟蕴斓爻顟K之狀，襯托壯士赴死如歸的訣別之情。白居易《琵琶行》一開頭“潯陽江頭夜送客，楓葉荻花秋瑟瑟”句中蕭瑟的秋景，是用來增添離別哀愁的。李商隱《無題》有“相見時難別亦難，東風無力百花殘”之句，選擇一個百花凋零的末春景色作為分離的背景，必然倍增離恨，所以“別亦難”。這些詩句從不同的方面，攝取了凄迷的風景，作為分別的襯托，更加重了別離的愁苦。

以樂景寫樂情

李白《夜下征虜亭》：“船下廣陵去，月明征虜亭。山花如繡頰，江火似流螢。”征虜亭畔的叢叢山花，在朦朧的月色下，綽約多姿，好像一群天真爛漫的少女；江上的漁火和水中倒映的萬家燈火，星星點點，閃閃爍爍，像無數(shù)的螢火蟲飛來飛去，這些景物襯托出了詩人出游的喜悅之情。

2、反襯

王夫之《姜齋詩話》說：“以樂景寫哀，以哀景寫樂，一倍增其哀樂。”可見，反襯手法用得好，效果更為強烈。

以樂景寫哀情

杜甫的《絕句二首》（其二）：“江碧鳥逾白，山青花欲燃。今春看又過，何日是歸年？”融融怡人的春光越發(fā)襯出詩人歸心的殷切。鄭谷《淮上與友人別》中“揚子江頭楊柳春，楊花愁殺渡江人”之句，寫揚子江邊，春光正好，楊柳依依，楊花點點，但因為“君向瀟湘我向秦”的離別，故景色雖好，卻使人愁殺。作者遷情于景，景隨情變了。美好的景物與人物內(nèi)心的哀怨形成鮮明的對照，給人以強烈的感染。

以哀景寫樂情

錢起的《暮春歸故山草堂》：“谷口春殘黃鳥稀，辛夷花盡杏花飛。始憐幽竹山窗下，不改清陰待我歸。”一二兩句渲染出春光逝去，了無蹤跡的凋零空寂的氣氛，反襯出三四句詩人對幽竹“不改清陰待我歸”的欣喜之情。

第3篇：谷雨經(jīng)典古詩范文

During the Southern and Northern Dynasties (420-589), there lived a beautiful, intelligent princess name Lechang in the State Chen. She and her husband Xu Deyan loved each other dearly. But before long their country was in danger of being invaded by the troops of the Sui Dynasty. Princess Lechang and Xu Deyan had a premonition that their county would be occupied by the invaders1 and they would have to leave the palace and go into exile2. During the chaos3 they might lose touch with each other. They broke a bronze mirror, a symbol of the unity4 of husband and wife into two parts and each of them kept a half. They aGREed that each would take their half of the mirror to the fair during the Lantern Festival, which is on the 15th day of the first Lunar month, in the hope that would meet again. When they were united the two halves would join together. Soon their premonition came true. During the chaos of war, the princess lost touch with her husband was taken to a powerful minister Yang Su's house and was made his mistress5.

At the Lantern Festival the next year, Xu Deyan took his half of the mirror to the fair. He hoped that he could meet his wife. It so happened that a servant was selling the other half of the bronze mirror. Xu Deyan recognized it immediately. He asked the servant about his wife. As he heard about her bitter experience, tears rolled down his cheeks. Xu Deyan wrote a poem on the half of the mirror kept by his wife: "You left me with your broken mirror Now the mirror is back but not you I can no longer see your reflection in the mirror Only the bright moon but not you" .

the servant brought back the inscribed6 half of the mirror to princess Lechang. For days, she could not help sobbing7 because she knew her husband was still alive and that he missed her but they could not meet forever.

the minister, Yang Su, found this out. He was also moved by their true love and realized it was impossible to get Lechang's love. So he sent for Xu Deyan and allowed the husband and wife to reunite.

From that story comes the idiom "A broken mirror joined together".

It is used to suggest the happy reunion of a separated couple.

破鏡重圓

南北朝時期，陳國公主樂昌美麗且有才華。她與丈夫徐德言感情深厚。但當時，隋朝正入侵陳國，陳國即將被滅亡。樂昌公主和徐德言都預感到他們的國家將被入侵者占領(lǐng)，他們也會被迫離開王宮，背井離鄉(xiāng)。戰(zhàn)亂中，他們可能失去聯(lián)系。于是，他們將一枚象征夫妻的銅鏡一劈兩半，夫妻二人各藏半邊。相約在第二年正月十五元宵節(jié)那天，將各自的半片銅鏡拿到集市去賣。期盼能重逢，并將兩面鏡子合而為一。不久他們的預感就成為了現(xiàn)實。戰(zhàn)亂中，公主與丈夫失散了，并被送到隋朝一位很有權(quán)勢的大臣楊素家中，成了他的小妾。在第二年的元宵節(jié)上，徐德言帶著他的半邊銅鏡來到集市上，渴望能遇見他的妻子。碰巧，有一名仆人正在賣半面的銅鏡。徐德言馬上認出了這面鏡子。他向那名仆人打聽妻子的下落。當他得知妻子的痛苦遭遇后，他不禁淚流滿面。他在妻子的那半面銅鏡上題了首詩："鏡與人俱去，鏡歸人不歸。無復嫦娥影，空留明月輝"。

那個仆人把題了詩的銅鏡帶回來，交給了樂昌公主。一連幾天，她都終日以淚洗面，因為她知道丈夫還活著而且想念她，但他們卻無法再相見了。

第4篇：谷雨經(jīng)典古詩范文

China has been divided into three kingdoms historically: Wei in the north, Shu in the southwest and Wu in the southeast.

Once Cao Cao from Wei led a 200，000 strong army down to the south to wipe out the kingdoms of Wu and Shu. Therefore, Wu and Shu united to defend his attack. Cao ordered his men to link up the boats by iron chains to form a bridge for the Cao's passing from the north bank of Yangtze River to the south bank. The General Commander of the allied1 army was Zhou Yu. He analyzed2 the situation carefully. Then he got a good idea. He decided3 to attack the enemy with fire. So he began to prepare for the coming battle. Suddenly he thought of the direction of wind. He needed the east wind to blow strongly in order to accomplish his scheme. However, the wind did not come for days. Thus Zhou Yu was worried about it. At that time, he got a note from Zhuge Liang, the military adviser4 of the State of Shu, which reads:

"To fight Cao Cao

Fire will help you win

Everything is ready

Except the east wind"

Quickly he turned to Zhuge Liang for help. Zhuge told him not to worry and there would be an east wind in a couple of days. Two days later, the east wind helped Zhou accomplish his scheme. At last, the allied army won the war.

Later, people use it to say "All is ready except what is crucial5".

萬事俱備，只欠東風

歷史上，中國曾被分為三大國：北邊是魏國，西南是蜀國，東南是吳國。

第5篇：谷雨經(jīng)典古詩范文

Wang Xi-zhi is one of the most famous calligraphers during the Eastern Jin Dynasty of China. When he was very young, he practiced his art every day and never stopped.

Later he absorbed the strong points of all the other schools of calligraphy1, and developed his own unique style of writing. Because of his achievements, he has been honored as one of China's sages2 of calligraphy.One time, Wang Xi-zhi sketched3 in wood for an engraver4 to cut. Then the engraver found the ink had penetrated5 one centimeter into the wood.

"Ru Mu San Fen6" is got from this story, which means the calligraphy is penetrating7.

Now it is often used to describe expressing sharp ideas or profound views.

入木三分

王羲之是中國東晉時代一個很有名的書法家，他從小就刻苦練字，從不間斷，以后又吸取了各個不同書法派的優(yōu)點，形成他自己獨特的個性。因為他在書法上的成就，人們都尊稱他為中國書法界的“圣人”。

第6篇：谷雨經(jīng)典古詩范文

A man of the state of Zheng wanted to buy a pair of shoes. He measured his foot and put the measurement1 on a chair. When he set out for the market he forgot to bring it along. It was after he had found the pair he wanted that this occurred2 to him.

I forgot the measurement, said he.

He went home to get it but when he returned the market had broken up and he did not get his shoes after all.

Why didn't you try on the shoes with your feet?

He was asked.

I 'd rather trust the measurement than trust myself. (《Hanfeizi》)

鄭人買履

從前，鄭國有個人想買雙鞋。他量好了自己腳的尺碼，把它放在了椅子上。可當他趕往市集時，卻忘了帶量好的尺碼。他要買鞋時，才想了起來。

他說："我忘帶尺碼了。"

他回家去取量好的尺碼。 等他趕回來時，市集已經(jīng)關(guān)了，他還是沒能買到鞋。

第7篇：谷雨經(jīng)典古詩范文

未覺池塘春草夢，階前梧葉已秋聲。

塞下秋來風景異，衡陽雁去無留意。

潯陽江頭夜送客，楓葉荻花秋瑟瑟。

第8篇：谷雨經(jīng)典古詩范文

一、小樹林和火

選擇朋友應該謹慎。凡是用友誼來掩飾私利的人，他只會給你設下陷階。為了使人們更懂得這個道理，我講一則寓言給你聽聽。

冬天，一點星火在小樹林邊微微地燃燒著。很顯然，這點兒火苗已經(jīng)被過路人忘了，它漸漸地微弱下來。旁邊沒有新的柴薪，火苗快要燒不成了，它看見自己快要完了，就對小樹林說道：

“請問，親愛的小樹林！命運之神怎么對你這樣殘酷哇，你身上已經(jīng)一葉不留，光著身子不會凍死嗎？”

“因為我完全埋在雪里，冬天我不能透青發(fā)綠，也不能開花?！毙淞只卮鸹鹫f。

“小事情，”火對小樹林繼續(xù)說，“只要你跟我交上朋友，我會幫助你的。我是太陽的弟弟，在冬天，我的神通并不小于它呀，你到暖房里去問問看，我火是怎樣的。冬天周圍蓋滿白雪，外面刮著暴風雪，暖房里照樣一片青翠，開著花兒，大家老是在感謝著我?！?/p>

“雖說，自吹自擂是不適宜的，況且我向來就不喜歡夸口吹大牛，可對于太陽，我的力量決不會小于它，盡管它在這兒傲慢地發(fā)著光，可是等到下山，它對雪還是一無損害。但是你瞧，雪只要一靠近我，它馬上就會融化，所以如果你希望在冬天，也像在春天、夏天一樣透青發(fā)綠，那末，請你給我一塊小小的地方！”

事情就這樣談妥了，星星的火苗延伸到小樹林，就成了團火，這團火立刻蔓延開來，迅速躥上大小椏枝，一團團烏黑的濃煙沖上云霄，猛烈的火一下把小樹林團團圍住，最后把小樹林燒個精光。從前過路人歇涼的地方，只剩下燒焦的樹樁。這是沒有什么奇怪的，樹木怎么可以跟火交朋友呢？

二、狼落狗舍

狼在黑夜里來打劫羊棚，卻落入了狗舍；狗舍立刻像白天一樣地騷動起來；獵狗嗅到敵人老灰狼就在近旁，涌到狗舍門口，逼上前去迎戰(zhàn)。

“喂，伙計們，有賊！有賊！”管狗的人喊道。院子的門關(guān)上了，立刻都上了門閂；這塊地方頓時亂得像個地獄。這一個拿著硬木棍兒來了，那一個提著槍來了。

“拿火來，”他們?nèi)碌?。“拿火來！”于是有人跑去拿了火把。狼在角落里坐著，它的硬硬的灰色背脊躲在那兒正合適，它露出可怕的牙齒，豎起硬毛，瞪著眼睛，好像當場就能把大家吃掉似的。然而，跟獵狗們打交道，可得放聰明點兒，可不能來這么一手。總而言之，這是十分明白的，今兒個夜里可沒有不花錢的羊肉好吃。狡猾的老狼覺得應該進行談判，它油嘴滑舌地開口說道：

“我的朋友們，何必這樣吵吵鬧鬧呢？我是你們的老朋友，你們的長久失掉聯(lián)絡的同胞兄弟！我是來簽訂和約的，你們何必這樣氣勢洶洶呢？讓我們大家把往事一筆勾銷吧，我們來訂個同盟，我不光是不再來驚動你們的羊群，而且情愿替羊群打抱不平，我們狼有的是信用，我發(fā)誓……”

“對不起，可沒有那樣便宜的事兒?！惫芾慝C狗的頭兒打斷它的話，說道，“如果你是灰色的，我可是白發(fā)蒼蒼了。我老早有根有據(jù)地看透了狼的本性，我對付狼的辦法已經(jīng)屢試不爽：絕對不跟狼講和，除非把它的皮撕掉！”

第9篇：谷雨經(jīng)典古詩范文

一、兩個畫匠

兩個畫匠同到京城落戶。彼得的手藝，馬馬虎虎，日子卻過得很富足；他的同行冤家伊凡頗有技術(shù)，腰中卻連一個戈比也無。從早到晚，彼得的畫筆揮舞，或畫男，或畫女，忙得不亦樂乎。伊凡卻生意清淡，一周也難得來一位主顧。兩人的命運為何這般懸殊？只因為：彼得畫的人人都漂亮，伊凡畫的個個不走樣。

二、天鵝灰鵝鴨子和鶴